Cover reveals are funny things. They're a part of the kid-book business that I haven't figured out whether I like 'em or not yet. (I've only been doing this for fifteen years – give me time.) To me, revealing a cover in some fancy way implies that everyone has been sitting out there waiting for it. In some cases I suspect that this is a real thing. But in other cases, it's more like it's being hoisted upon the Twitterers and Facebooks and Instagrams and becomes just more noise.
Sometimes, however, it can be fun, and last week was one of those times. Julie Segal-Walters and I have a book coming next fall where there are, kinda, two covers. The book is about the making of a book, where the premise is that the illustrator and the author are not in agreement as to how the pictures should look. The illustrator loses patience and finally just starts drawing whatever he wants. This extends to the cover, where the "original" cover is a staid, boring book cover. And the "actual" cover, that which will be see in stores and stuff, has been vandalized by the illustrator.
Jon Schumaker (Mr. Schu) and Colby Sharp teamed up to do simultaneous reveals of the covers. Colby interviewed Julie, the writer, and Mr. Schu talked to me. You're going to hear a lot more about this book as we get closer to its release date in October. But for now, here are he covers, and the links to the reveals.
Archive for the ‘process’ Category
Wednesday, February 8th, 2017
Tuesday, November 8th, 2016
Back in the year 2000, I was asked to design two alternate covers for Philadelphia Weekly's election issue. This issue would go to print on Tuesday night election night, and be in newsstands on Wednesday morning. One was to depict Bush winning (note the family car on its way to Canada) and the other would show Gore (the marching band with the guilty Nader voter). I recall being on the phone that afternoon with the art director, Jeff Cox, and him telling me the fear was that we'd get to midnight and still not know.
Well, most of us remember how that turned out. I woke up the next day hungover from the late night Florida surprise to find this third cover in the newspaper boxes around town. Jeff had to throw it together in 15 minutes when it was clear that the election wasn't over. I remember being bummed that my cover would never see the light of day, and thinking that elections couldn't ever get any worse than that one, and now the whole thing just seems so quaint.
I'm with Her.
Tags: Al Gore, election, George W. Bush, newspaper, philadelphia weekly, president
Posted in archives, headlines, illustrations, press, process | 1 Comment »
Wednesday, August 3rd, 2016
This has been a long time coming.
Long time readers might recall that I took a screenprinting class at The University of the Arts way back in 2009. This class was taught by Greg Pizzoli, and got me all fired up to do a lot of this kind of thing. Class ended, Everything Goes began, the kids turned into time-sucking teenagers, I hit a creative funk, new books came along, Tinyville Town begun… and I never got around to getting this together. In the meantime, I bought a crappy old exposure unit that sat in my studio here collecting dust for a year before I gave it away to a punk band, my box of Speedball inks waited patiently on my shelf, and I kept telling myself that I'd get back to this, eventually.
At the end of last year, I invested some bucks into a nice new Ryonet exposure unit and a bunch of appropriate chemicals (screen reclaimer, ink wash, emulsion, and some other stuff). Six months later, I began to worry that this was going to sit here forever, as well.
Then, two weeks ago, my friend Michael stopped by for lunch. Michael is pretty handy and has kind of a "just get it done" attitude, so I decided to hold him hostage for the afternoon and see if he'd spend some time helping me put my printing table together. I had an enormous piece of plywood with a couple of hinges screwed down. All I needed to do, I thought, was just cut the thing down to size. We did this, but we didn't stop there. We re-fastened the hinges with bolts rather than screws. We even decided to cover the plywood with some laminate I'd bought a couple of years ago but never got around to gluing down. In two hours, the table was done and I was inspired.
It only takes that first domino to fall, right? In the next two weeks, I built a screen-drying box, covered the closet window to make that room the dark room. I ordered some nice industrial legs for one of my tables and with my kids' help I put that thing together. Then, earlier this week, my daughter and I coated a couple of screens with emulsion and ran step-tests with the exposure unit. Once I knew that two minutes and fifteen seconds was the magic number, I burned a screen yesterday afternoon and was beside myself when it washed out perfectly. That meant that today was printing day.
The illustration is one I made a few years ago that I always thought would be a good print. This was playing it safe, today, as it's merely one-color on colored paper. I had a nice purple ink from the class back in 2009, and I'd ordered some Lemon Drop 100lb cover from French Paper. The image isn't exactly child-friendly, but future prints will be, at times.
The print run is an edition of 25, ten of which I'm selling in my Etsy store. The others I'm saving, and giving a few away as gifts to some people who have inspired this stuff.
Tags: printing, printmaking, ryonet, screenprint, seduction of the innocent, silk screen, silkscreen, studio
Posted in for sale, personal work, process, screenprint, studio | No Comments »
Friday, November 6th, 2015
I drew the cover for the first Tinyville Town book today, called "Gets to Work!" It'll be published in about a year by Abrams/Appleseed. More info here as we go through time together.
Soundtrack by Dance Robot Dance
Tags: children's book, cover, time lapse, Tinyville Town
Posted in childrens books, illustrations, not work, process, Tinyville Town | No Comments »
Monday, May 11th, 2015
I drew a fun promo for Frank Einstein a couple of weeks ago for The Guardian, a newspaper in the UK. I always enjoyed those books by Ed Emberley when I was a kid, and this draws some inspiration from that.
Tags: ape, Ed Emberley, monkey, The Guardian, united kingdom
Posted in childrens books, Frank Einstein, press, process | No Comments »
Wednesday, October 29th, 2014
(Click the images to see them bigger. In some cases, much bigger.)
I was recently asked by Steven Malk, my literary agent at Writers House, to create a promotional card for the upcoming holiday. No, not Halloween. Rather, the Day of the Dead, or Díos de los Muertos. I actually volunteered for this — he is putting together a series of these promotional images for the lesser-known holidays. Arbor Day, Grandparent's Day, and so on. When I saw Muertos on the list I jumped at the chance. I've long admired the work of J.G. Posada, whose wood-cut skeletons and other imagery I associate with the holiday.
Originally I thought I might even play with some printmaking techniques to pay a little homage to Posada as I make this image, but I quickly realized that with the looming deadline for the second Frank Einstein book, this would not be possible. I had to do what I do the way I know how to do it, and go from there.
I pretty much knew what I wanted to do from the start. The festive atmosphere of a Day of the Dead celebration is one that everyone should at some point experience. I don't love the goofy goth-horror side that Americans have sort of adapted over the years, and I wanted the story told here to be less about the costumes and more about the idea of this old guy moving from this life to the next. I went through a few phases with the sketches but it came together pretty quickly.
Below I post various steps in the process, in order that I made them, and some details from the final art.
The printed card is only 4.25" x 6", so I'm sad that a lot of the detail of the line-work is difficult to make out. I'd love to print this thing bigger at some point. Maybe when I get the mythical screen-printing gear in my closet here set up and running…