Today is publication day of Dog Days of School. This book was written by Kelly DiPucchio and edited by Rotem Moscovich at Disney/Hyperion. Actually, she was the third editor on the book, as I signed on to do this thing way way back in, what, 2007 or 2008 or something like that. Everything Goes came along and took days off the calendar, and then The Boy Who Cried Alien had to get done, and finally last year after completing the third and final Everything Goes book, I took a few months and got this thing done.
And done it is. I love this book. I mean, okay, the illustrations are whatever. I like ’em and I hope you do too. But the book makes me laugh. When I read the script I knew that this was going to be a fun project. Freak Friday, but with a boy and a dog.
Here are some illustrations and sketches from the book. Please enjoy thanks.
A bunch of thumbnail sketches here. This is the form sketches come in when I first make them, and scan them. It’s the hardest but most important part of the whole process, for me.
In 2007, I signed on to illustrate two books for Hyperion. One was The Boy Who Cried Alien, by Marilyn Singer, and the other was called Dog Days of School, by Kelly DiPucchio. At the time, I was just getting my legs as a book illustrator and was excited to get these two projects while I start the process of learning to write my own books.
Little did I know that the seed of Everything Goes was planted a few months later, which subsequently took over my life for five years. This and other delays caused Alien and Dog Days to get pushed back a few years (!). Well, The Boy who Cried Alien came out in 2012, and Dog Days is finally coming out this June. I drew this book immediately after finishing Everything Goes and it was a dream to work on these big flat comparatively simply-composed illustrations. I only used six or seven colors for the entire book, and tried a few techniques with the art that I wasn’t able to do in Everything Goes.
I received a prepublication copy of the book yesterday and my lordy it looks beautiful. I mean, okay, the drawings are alright. But Hyperion knocked the production and design out of the park on this thing. Rotem Moscovich edited and Tyler Nevins did the design and I can’t think them enough. Of course, I can’t think Kelly enough for writing it either, and being incredibly patient as her story sat on my shelf for nearly seven years.
Look for more on this book in the next few months, including cover sketches and how it got made. Stay tuned!